A complete list of Australian Hip Hop Emcees, Crews and Djs. 

We also have a News Section which features all the latest News, New Music, Podcasts, Tours & more….

This site has not been officially launched yet and is being updated daily with heaps of work to do.

So much SPAM nowadays and the Rap Cella has been discontinued, Stealth Magazine has gone, Obese isn’t the same, ozhiphop.com is hardly used anymore, Triple J is to diversified and all the social media groups have become over run with SPAM.

It shouldn’t be a chore for the average Australian Hip Hop Fan to keep up to date! 

This website brings it all into one place.

“Facebook doesn’t give a fuck about musicians. Musicians are bad customers.” Facebook realizing their core market is businesses that will advertise regularly.

But it’s utterly worthless to simply promote your releases via Facebook, because Facebook doesn’t want you to leave Facebook.

Think about the logic of things: If you’re promoting new music, it’s probably on Spotify, Apple Music, YouTube, or SoundCloud. Therefore, you’re asking people to click away from Facebook, which means Facebook is losing someone who could potentially be looking at ads from other businesses. Facebook’s entire business model is predicated upon you, the user, spending more time on Facebook, seeing more advertisements. – https://medium.com/@IamShaneMorris/facebook-is-basically-worthless-to-professional-musicians-and-thats-okay-40fc4b269287

“Streaming music is effectively a zero-sum game between competitors due to lack of differentiation in catalogs, with relatively little or no proprietary original content” – https://markets.businessinsider.com/news/stocks/spotify-stock-price-netflix-cant-compare-2018-4-1020586061

“The music industry is an oligopoly that enforces rigid deal parameters across all on-demand services, sometimes through arguably anticompetitive means like most favored nations clauses,”

Imagine “Terry” listened to just one obscure band for the entire month of February. $7 of his $10 subscription fee is going to artists, but let’s say he’s also the only fan of that band on Spotify. So that band has effectively zero percent of Spotify’s plays for the month, meaning that the band gets effectively zero percent of Spotify’s monthly revenue.

Terry thinks $7 went to his favorite band, but it actually got divided up among February’s top 40, with only a fraction of a fraction of a cent going to the band!